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Archbishop Donoghue's Coat of Arms
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The impalement of the personal Arms of Archbishop
Donoghue with those of the Archdiocese of Atlanta was undertaken by A.W.C.
Phelps, a member of The Heraldry Society of London and a resident of Cleveland,
Ohio, 1993. The Arms of the Archdiocese of Atlanta were devised by the late
William F. J. Ryan, New York, NY, and West Chatham, MA. The personal Arms
of Archbishop Donoghue were devised by A.W.C. Phelps in November 1984. |
The entire "achievement," or coat of arms as it is
generally called, is composed of the shield with its charges, the
motto and the external ornaments. As one looks at the shield the terms
dexter (right) and sinister (left) must be understood contrariwise, as
the shield was worn on the arm in medieval days and these terms were
used in the relationship of the one bearing the shield.
The dexter impalement is given in ecclesiastical heraldry to the
arms of jurisdiction; in this instance, the arms of the Archdiocese of
Atlanta.
Atlanta known as the "Crossroads of the South," because of
converging railroads which gave the city its early prominence,
received its name as the eastern terminus of the Western and Atlantic
Railroad which connected north Georgia with the Tennessee River.
Originally called Whitehall, then Terminus, and afterwards in 1843
Marthasville, the state legislature finally acquiesced to the wishes
of the railroad and accepted the name of Atlanta in 1847, thus naming
the city indirectly after the Atlantic Ocean.
The Atlantic Ocean is represented on the shield of the archdiocese
by white and blue wavy bars, the heraldic equivalent of the waves of
the sea; seven bars in number to symbolize the Seven Sacraments.
The crown of Christ the King denotes the title of the cathedral
church, the Eternal King whose redeeming Sacrifice on the Cross is
renewed daily in the Holy Sacrifice of the Mass. Above the crown is
placed the Cherokee rose, the State flower of Georgia (Rosa
Laevigata), as befits an archdiocese located in the Capital City.
The Cherokee rose is a white flower with a yellow center.
The crown of Christ the King, in the arms of the Archdiocese of
Atlanta, also has the secondary representation of the crown of King
George II of England after whom Georgia was named. The blue and white
wavy bands may be said as well to symbolize the rolling foothills of
the Blue Ridge country; but, more important, these are the colors of
our Blessed Mother.
The sinister impalement, on the right of the viewer, bears the
personal arms of Archbishop Donoghue. These consist of a field, or
surface quartered green and red. The quartering is found in the arms
of the Archdiocese of Washington, and commemorates Archbishop
Donoghue's priestly ministry in that archdiocese. The green and red
are the surface colors of the arms of the Irish septs of O'Donoghue
and Ryan, and honor the Archbishop's paternal and maternal ancestry.
The central charge of the arms is a silver (white) cross with its
limbs terminating in a fleur-de-lis. This cross flory honors
Archbishop Donoghue's baptismal patron, Saint John Vianney
(1786-1859). The fleur-de-lis has long been a symbol of the Blessed
Virgin Mary, and here joined to the cross, alludes to the Archbishop's
Pauline motto and his devotion to Christ's Mother. The chief portion
of the shield is ermine (white and black ermine tails) and
commemorates Archbishop Donoghue's long association with Patrick
Cardinal O'Boyle, second archbishop of Washington, whose arms bore an
ermine chief.
The motto, "To Live in Christ Jesus," has been adapted
from Saint Paul's Epistle to the Philippians 1:21.
In pale behind the arms is placed a gold archiepiscopal cross with a
double transverse. A pontifical hat with ten tassels on each side
disposed in four rows, all green, surrounds the shield ensigning the
whole achievement.
Prior to 1870, the pontifical hat was worn in solemn conclaves held
in conjunction with papal functions. The color of the pontifical hat
and the number and color of the tassels were signs of the rank of a
prelate, a custom which is still preserved in ecclesiastical heraldry.
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