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Archbishop Lyke's Coat of Arms
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The personal arms of Archbishop Lyke were devised
by A. W. C. Phelps of Cleveland, Ohio in 1979. The Arms of the Archdiocese
of Atlanta were devised in 1956 by William F. J. Ryan, New York, NY, and
West Chatham, MA. The impalement of the personal arms of Archbishop Lyke
with those of the Archdiocese was undertaken by A.W. C. Phelps in 1991. |
The entire "achievement," or coat of arms as it is
generally called, is composed of the shield with its charges, the
motto and the external ornaments. As one looks at the shield the terms
dexter (right) and sinister (left) must be understood contrariwise,
as the shield was worn on the arm in medieval days and these terms were
used in the relationship of the one bearing the shield.
The dexter impalement is given in ecclesiastical heraldry to the
arms of jurisdiction; in this instance, the arms of the Archdiocese of
Atlanta.
Atlanta known as the "Crossroads of the South," because of
converging railroads which gave the city its early prominence,
received its name as the eastern terminus of the Western and Atlantic
Railroad which connected north Georgia with the Tennessee River.
Originally called Whitehall, then Terminus, and afterwards in 1843
Marthasville, the state legislature finally acquiesced to the wishes
of the railroad and accepted the name of Atlanta in 1847, thus naming
the city indirectly after the Atlantic Ocean.
The Atlantic Ocean is represented on the shield of the archdiocese
by white and blue wavy bars, the heraldic equivalent of the waves of
the sea; seven bars in number to symbolize the Seven Sacraments.
The crown of Christ the King denotes the title of the cathedral
church, the Eternal King whose redeeming Sacrifice on the Cross is
renewed daily in the Holy Sacrifice of the Mass. Above the crown is
placed the Cherokee rose, the State flower of Georgia (Rosa
Laevigata), as befits an archdiocese located in the Capital City.
The Cherokee rose is a white flower with a yellow center.
The crown of Christ the King, in the arms of the Archdiocese of
Atlanta, also has the secondary representation of the crown of King
George II of England after whom Georgia was named. The blue and white
wavy bands may be said as well to symbolize the rolling foothills of
the Blue Ridge country; but, more important, these are the colors of
our Blessed Mother.
The sinister impalement, on the right of the viewer, bears the
personal arms of Archbishop Lyke. These consist of a quartered shield
on the lower two-thirds of the sinister in black and green with a gold
cross. Superimposed on this is a narrower red cross. The colors red,
black and green are significant to black Americans because they were
used by the United Negro Improvement Association and African
Communities League. They are dominant in the flags of many African
nations. Red symbolizes redemption, blood and liberty; black is for
the black people and green stands for hope.
The quartered shield with the gold cross recalls the mystery of the
Church and honors Pope John Paul II from whose coat of arms it is
derived. The narrower cross imposed on the gold cross is red, the
academic color for theology and conveys Archbishop Lyke's special
interest in same.
In the first quadrant of the quartered shield is a white chaplet of
the Franciscan cord to emphasize Archbishop Lyke's devotion to Saint
Francis of Assisi and the Franciscan ideal.
The upper portion of the shield displays the arms of the Friars
Minor. The field is silver (white) with a black Latin cross above two
crossed arms. One arm wears a Franciscan robe representing Saint
Francis. It is pierced, recalling that the saint was a stigmatic. The
other arm with pierced hand represents the crucified Christ.
The Latin motto "Christus Pax," translates as "Christ
Our Peace," and is taken from Saint Paul's epistle to the
Ephesians, chapter 2, verses 13 and 14. The motto further emphasizes
the cross of Christ which reconciles our differences and unites all in
faith.
Behind the arms is placed a gold archiepiscopal cross with double
traverse. Surrounding the shield or "achievement," is a
pontifical hat with ten tassels on each side in four rows, all in
green
Prior to 1870, the pontifical hat was worn in solemn conclaves held
in conjunction with papal functions. The color of the pontifical hat
and the number and color of the tassels were signs of the rank of a
prelate, a custom which is still preserved in ecclesiastical heraldry.
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